ACADEMIC ARTICLES
• “Projecting the ‘Modern’: The Reconstruction of Urban Cinemas in Post-Mao China, 1987-1989.” Journal of Chinese Cinemas, vol. 16 (October, 2022). doi: 10.1080/17508061.2022.2124076. https://www.tandfonline.com/doi/full/10.1080/17508061.2022.2124076
• “Ershiyi shiji de dongmanchanye tujing: luobote aige yu tade xin dishini wangchao” (“Rebranding Disney in the 21st Century: Bob Iger and the Global Anime Inudstry”). Dangdai donghua (Contemporary Animation), no. 288 (2019): pp. 45-51.
• “Zhaomo de xiandaixing: cong bashiniandai kongbupian kan shentijiaolu yu kexuejishu de kuameijie xiangxiang” (“Possessed Modernity: The Fantastical Mechanics in the 1980s’ Chinese Horror Cinema”), in Xiaoyang Li et al., eds., Meijie ronghe de shidai (The Age of Media Convergence), Beijing Normal University Press, 2019: pp. 269-275.
BOOK REVIEWS
• Book Review of Information Fantasies: Precarious Mediation in Postsocialist China, by Xiao Liu, Minneapolis: University of Minnesota Press, 2019. Global Media and China, Vol. 6, 2021: pp. 508-510. https://journals.sagepub.com/doi/full/10.1177/20594364211032338
SELECTED TRANSLATIONS
• Graham, Peter, and Ginette Vincendeau, editors. The French New Wave: Critical Landmarks, 2nd ed., translated by Yiyang Hou. Beijing: Peking University Press, forthcoming (scheduled to be published in 2023).
• Barclay, Paul D. “The Musha Incident and the History of Tgdaya-Japanese Relations,” translated by Yiyang Hou. The Musha Incident: A Reader on the Indigenous Uprising in Colonial Taiwan, edited by Michael Berry. Taipei: Rye Field Publications, 2020.
• Myles, Eileen. “Missive Impossible: Qiu Miaojin’s Philosophical Investigation of Love and Grief,” translated by Yiyang Hou. Hong Kong: Fleurs des Lettres, no. 64 (2016): pp. 106-109.
• Mulvey, Laura. BFI Film Classics: Citizen Kane,translated by Yiyang Hou. Beijing: Peking University Press, 2014.
• Anderson, John. Edward Yang,translated by Yiyang Hou. Shanghai: Fudan University Press, 2013.

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